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Islamic geometric patterns are one of the major forms of Islamic ornamentation that are often built on combinations of repeated triangles, squares and circles, which may be overlapped and interlaced, to form intricate and complex patterns.These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs.The Fatimid dynasty developed a distinctive visual language, prominently displaying their doctrines. The role and significance of the Fatimid Imams were reflected in their architecture and artistic products. Hence considered the golden era of Islamic Art.Workshop Objective: -Understand the geometry of Fatimid Shubbaks. -Know the symbolism and the terminology of geometry in Fatimid art and architecture. -In this workshop you will be able to draw from scratch some Fatimid Shubbak/ lattice/ grill pattern belonging to 6 fold geometric. The underlying laying grid and its geometric construction. -Understand the use of similar patterns with different variations throughout the Fatimid Art You will also learn the role of grids in Islamic geometric design as it an essential part which will be broken down in the workshop. -By the end of this session you will be able to understand how Islamic geometric patterns are constructed. - At the end of the workshop you will have a neatly drafted pattern handmade by you with live guidance and feedback from the instructor.Artist Introduction: Alefiya is a Traditional Islamic Artist. She holds a degree in fine arts and post graduation diploma in traditional Islamic arts securing 1st position in both programs. A participant in multiple international exhibitions and workshops she finds sharing her knowledge of Islamic Art a fuel for her creativity. As an artist Alefiya’s main subject of interests are Islamic geometry, Islamic illumination manuscripts and miniature paintings that she has been mastering since years. • MATERIAL REQUIRED FOR THE COURSE (alternative available at home can be used) ‘This list is as sample’1. Cartridge paper 4, size A4 or A3 2. Tracing paper 4-6, A4 or A3 3. Compass set 4. Masking tape 5. Pencils (H, HB, B) 6. Eraser 7. Ruler 8. Color pencils

Al-Hutaib Al Mubarak comes to mind when one thinks of a blessing and good tidings. The sprawling landscapes of Yemen and the sweet breeze (Naseem) is a delightful scene to be captured on paper. Join us for an in detail Yemen Landscape Workshop with an experienced and celebrated artist Mr Deepak. This intermediate level workshop will teach you the techniques of perspective, layering, colour theory and how to capture the essence of a landscape.For any art enthusiast 15 years and older. Date: 12th March, Sunday Time: 10:30AM- 1:00 PM Materials to be arranged by the participants. Material list: Watercolour paint shades: Paynes grey Gambouge hue Orange French ultramarine Cobalt blue Red White Any shade/ brand/ tube/ cake is acceptable. If the exact shades are unavailable similar tones would be usable Tissue Spray bottle Chinese brush. Or any medium round brush 100% cotton watercolor paper Shading pencil. 2b /4 b/ 6 b

Persian Illumination (Tezhip)Tezhip, also known as Persian Illumination, is a traditional form of Islamic art that involves the intricate embellishment of various surfaces with vibrant and detailed designs. Originating from the Persian region, tezhip has a rich history dating back several centuries. Tezhip holds significant cultural and religious importance in Persian and Islamic societies. It is commonly used to adorn religious texts like the Quran, prayer books, as well as official documents and royal decrees. The art form showcases the craftsmanship and creativity of the artists while reflecting the spiritual and aesthetic values of Persian culture. In recent years, tezhip has experienced a revival and gained international recognition as a valuable art form. Contemporary artists continue to practice tezhip, exploring new materials and techniques to innovate within the tradition. Tezhip's captivating beauty and intricate details continue to enchant viewers, making it an enduring symbol of Persian art and aesthetics. Artist Introduction: Art was never created in isolation, this is Mariyah’s motto, the artist behind the page Mariyah Farooqui art.Finding beauty in traditional arts, she has created a niche wherein she assimilates various traditional art forms to create contemporary works of art. She is an avid student and practitioner of Persian Illumination, Kirigami, Sacred geometry and Arabic Calligraphy. She is self taught as well as has had the opportunity to study under various masters across the world.Her art draws on the spiritual and aesthetic aspects of art. This interconnection, a creative correspondence between humanity and divinity, helps her combine various art forms together to create and express traditional art in a contemporary way that is centered around balance and symmetry and is both unique and relatable.