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Maula TUS 040
₹8,000.00 – ₹15,000.00
With the Raza and Doa Mubarak of Al-Dai Al-Ajal Al-Fatimi ,
RadiantArts is proud to promote an exclusive selection of unique photographs of Syedna Al-Dai Al-Ajal TUS.
Canvas / Photo Roll (No frame)
This is a Limited Edition Photograph.
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₹8,000.00 – ₹15,000.00
Maula TUS 037
₹8,000.00 – ₹15,000.00
With the Raza and Doa Mubarak of Al-Dai Al-Ajal Al-Fatimi ,
RadiantArts is proud to promote an exclusive selection of unique photographs of Syedna Al-Dai Al-Ajal TUS.
Canvas / Photo Roll (No frame)
This is a Limited Edition Photograph.
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₹8,000.00 – ₹15,000.00
Maula TUS 034
₹8,000.00 – ₹15,000.00
With the Raza and Doa Mubarak of Al-Dai Al-Ajal Al-Fatimi ,
RadiantArts is proud to promote an exclusive selection of unique photographs of Syedna Al-Dai Al-Ajal TUS.
Canvas / Photo Roll (No frame)
This is a Limited Edition Photograph.
0 Reviews Write a review
₹8,000.00 – ₹15,000.00
Maula TUS 032
₹8,000.00 – ₹15,000.00
With the Raza and Doa Mubarak of Al-Dai Al-Ajal Al-Fatimi ,
RadiantArts is proud to promote an exclusive selection of unique photographs of Syedna Al-Dai Al-Ajal TUS.
Canvas / Photo Roll (No frame)
This is a Limited Edition Photograph.
0 Reviews Write a review
₹8,000.00 – ₹15,000.00
JFRA 9 Jame al Anwar
₹8,000.00 – ₹20,000.00
The foreground of this picture captures one of two ablution pools within the sehn of al-Jami al-Anwar. The one seen in the photo is situated in the western corner of the masjid.
His Holiness Dr Syedna Mohammed Burhanuddin RA wished to restore al-Jami al-Anwar not simply as a historic monument, but as an active, living place of worship that catered to the requirements of prayer. Foremost among these requirements is ritual purity through ablution. For this purpose, plans for an ablution pool, or hawd, were developed and one was built in the northern and western corners of the masjid. As the water rises at the centre of the hawd, it flows out through grooves created in the marble surface, each groove becoming a spout. Due to extensive usage, the ablution pools have been restored multiple times, most recently in 1437/2016. The 15th century Egyptian historian, al-Maqrizi, who has written extensively about the Fatimi Imams SA, documents the presence of installations for the provision of water within and around al-Jami al-Anwar.” (Extracted with minor edits from page 204 of ‘al-Jami al-Anwar-The Luminous Masjid’)
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₹8,000.00 – ₹20,000.00
JFRA 5 Jame al Lulua
₹20,000.00
The 16th Fatimi Imam-caliph, Maulana al-Hakim bi Amrillah SA used to frequent a particular location at the base of the Muqattam hills for seclusion, introspection and prayer. A masjid was then constructed at this revered site, portions of which survived in a dilapidated state until His Holiness Dr Syedna Mohammed Burhanuddin RA reconstructed and inaugurated it in 1416/1995. The masjid, though compact, is exquisite and unique, boasting not just a customary mihrab or prayer niche on its ground floor but also on the two storeys above it. A sanctuary for the soul, the masjid is renowned for being a sacred space where prayers are heard and wishes granted.
On the eve of the masjid’s inauguration, Syedna Mohammed Burhanuddin RA stated:
“Aa Jami Lulu’ah ma sajda daiy nei dua kidi, jei dua mustajab thawa ni jaga che. Mei bhi mustajib chu, Da’i chu, Khuda Ta’ala mari dua suni lejo”
(I have prostrated before Allah and supplicated Him in this masjid, al-Lulu’ah, where prayers are answered. I have answered Allah Ta’ala’s Call and call towards Him and supplicate Him. May He heed my supplications!)
A contemplative viewing this masjid in all its glory and thinking about what its stands for have the potential to inspire introspection. The fruits of such self-reflection might fashion a moment where our hearts voice a silent prayer not just for ourselves but for all those who have devoted their lives to their Creator and try to follow His path.
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₹20,000.00
JFRA 7 Jame al Anwar
₹9,000.00 – ₹15,000.00
Traditionally, in common with many other Muslims, the Dawoodi Bohra community spends the initial days of the Islamic year in commemoration of the martyrdom of the Prophet Mohammed’s SAW grandson, Maulana al-Imam al-Husain AS. His Holiness Syedna Mohammed Burhanuddin RA wished to avail the use of the newly-restored al-Jami al-Anwar, providentially completed in time, to honour these revered days of remembrance at the start of the year 1401. During Fatimi times, and later carrying on into the Ayyubid and Mamluk periods as well, al-Jami al-Anwar was a seat of learning where scholars from different schools of thought held sessions of teaching. In keeping with this Fatimi tradition, al-Dai al-Fatimi Syedna Mohammed Burhanuddin RA delivered sermons over a period of nine days expounding on topics of Islamic thought and philosophy and recounting the virtues of the Prophet Mohammed SAW and his Ahle Bayt AS, particularly Imam Husain AS, whose remembrance is of prime importance during these days. This was the start not only of the new Islamic year, but a new phase in the history of al-Jami al-Anwar and the Dawoodi Bohra community. As invocations of Allah’s name and verses of the Holy Quran echoed throughout the masjid during prayer time and Syedna Burhanuddin’s RA discourse filled the air resonating against the broad piers and walls, the Luminous Masjid was beaming, for it was alive and alight once again. The long awaited moment, twenty-seven months if not centuries in the making, had finally arrived.
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Excerpt extracted with minor edits from ‘al-Jami al-Anwar-The Luminous Masjid’
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₹9,000.00 – ₹15,000.00
JFRA 2 Jame al Anwar
₹8,000.00 – ₹15,000.00
Photographer: Sh Taha Raja
His Holiness Dr. Syedna Mohammed Burhanuddin RA has repeatedly stated that all barakat prevalent in Dawat Hadiyah was due to the completion of one grand undertaking: the restoration of al-Jami´ al-Anwar. Originally completed in 403/1013, the construction of the masjid commenced under Maulana al-Imam al-Aziz Billah AS and was completed by his successor Maulana al-Imam al-Hakim bi Amrillah AS. Sadly, this grand masjid was later ravaged by time and people—used at one point by Napoleon as a stable and barracks. Seeing the state of this sacred space, His Holiness Dr. Syedna Taher Saifuddin RA expressed his desire to restore al-Jami’ al-Anwar to its historical grandeur. His successor, Syedna Mohammed Burhanuddin RA, ably assisted by his own noble successor, His Holiness Dr. Syedna Mufaddal Saifuddin TUS completed the renovation of al-Jami’ al-Anwar in 1401/1980. Much like Imam al-Hakim AS completed the vision of his father Imam al-Aziz AS in building al-Anwar, Syedna Mohammed Burhanuddin RA and Syedna Mufaddal Saifuddin TUS brought to life the vision of Syedna Taher Saifuddin RA in renovating al-Anwar.
The revival of Fatimi architecture reasserts the culture and faith of the Fatemi Imams AS. This culture and faith was meticulously preserved by Duat Mutlaqin SA, the vibrant results of that preservation being eloquently alluded to in Syedna Burhanuddin’s RA words at the inauguration of the renovated al-Jami’ al-Anwar: “We have returned, as we had left.” The restoration and revival of Fatimi architecture by Duat Mutlaqin SA is a call to remain steadfast to the beliefs and values eternalized in Fatimi buildings, as expressed by Syedna Mohammed Burhanuddin RA at the inauguration of Aljamea-tus-Saifiyah, Karachi:
“Fatimi monuments stand distinguished by their unique beauty. We have tried to express our beliefs and values through these buildings till they speak out through the language of brick, stone and mortar and find expression in the campus’ arches, prayer niches and minarets. As long as belief is steadfast in the heart, it is impossible for it to be precluded from expression.”
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₹8,000.00 – ₹15,000.00
Categories: Products
Khatte Arabi Premium Calligraphy Kit
₹1,690.00
Introducing our RadiantArts Khatte Arabi premium calligraphy kit expertly created from start to finish.
Hand-crafted with thoughtful designs at an extremely affordable price for beginners and seasoned calligraphers alike.
The kit comes with a set of 5 pens in a leather pouch, a blank booklet of 25 glossy pages with 2 complimentary practice sheets, ink bottle, and a glass container with Liqa to hold the ink.
Free Shipping All Over India.
Delivery: 10 to 12 working days
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Avalanche
₹4,000.00 – ₹8,000.00
My snowscapes of Kashmir titled
‘Firdaus bar ru-yi Zamīn’ depict the majesty of the snow clad mountains of Gulmarg. Verdant fir trees, dusted with white powder glistening with the different hues of the mountain sky, stand out upon the canvas. Together, with the rising mountain peaks and the seemingly infinite firmament beyond, the vistas truly feel like a paradise on earth. .
I re-create semi-abstract impressions of what my eyes witness. I use the term re-create with the firm belief that the beauty inherent to such landscapes is by virtue of their creation at the hands of the Almighty. I am simply re-creating them on a canvas in a humble, yet artistic, manner of emulation. For the main compositions, relying on vivid memories as well as my own photos, I indulge in some artistic liberty with the placement of the flora and the use of colors. .
In some of my works, I make use of heavy gels and acrylics to create thick textures on the mountain’s surfaces to signify their solidity, the solidity of existence. These massive monuments, their beauty and breath-taking majesty, are testament that the Almighty has created everything with a purpose: “Our Lord! Thou created not this in vain. Glory be to Thee (Quran 3:191).”
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The use of Japanese watercolours in composing the fir trees compliments the heavy acrylics by adding an air of lightness. It also, simultaneously, contrasts with the heavy mass of the mountains alluding subtly to the notion of seeking spiritual enlightenment and loftiness while ridding oneself of the burdens of the corporal, material world. It is in this state of unburdened spirituality where happiness is found, nay, happiness reigns.
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₹4,000.00 – ₹8,000.00
Ascendancy
₹4,000.00 – ₹8,000.00
This print commemorates the construction of the monumental water fountain marking Bir-e-Haakimi (well named after Maulana al-Imam al-Haakim SA) in the courtyard of al-Jami al-Anwar.
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₹4,000.00 – ₹8,000.00
Blue
₹4,000.00 – ₹8,500.00
Using the palette knife to stunning effect, the artist fashions a horse in jump–a vision of raw power and beauty–that represents nature’s majesty and vulnerability.
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₹4,000.00 – ₹8,500.00
Leap of Faith
₹4,000.00 – ₹8,500.00
When the canvas wove its mysterious tales,
It left behind golden trails,
And the colours played a symphony of hues.
A Stallion galloped in,
Thundering off his powerful hoofs,
His eyes riveted on the finishing line.
Dark currents unforeseen,
Barged in unabashedly,
Opposites broke out into fury.
Fear against courage,
Doubt against faith,
Disloyalty against steadfastness.
Then the moon light streamed in,
It cast on the equine a heavenly glow,
Turning it into a twinkling star.
The dust settled,
disloyalty merged into steadfastness,
Fear became brave,
And doubt emerged as faith!
Inspired by the virtuous qualities of the horse, which is considered in Islamic lore as one of the noblest of creations, ‘Leap of faith,’ is a painting of a horse reflecting an indomitable spirit of a timeless dimension. With legs of courage and steadfastness, instead of blind competition, it treads the path of ‘inner truth’ reminding us that the race is never really with others but with our own selves.
All throughout history horses have been praised for their loyalty, steadfastness and dedication. ‘Leap of Faith’ is a painting that serves as a tribute to this majestic animal.
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₹4,000.00 – ₹8,500.00
Divine Light
₹4,000.00 – ₹8,000.00
The artist in this panting believes that the mishkat (lantern) is a similitude of the Divine. This similitude is depicted by this medieval glass lamp meant to protect a flame. The work as a whole sees the Divine as a source of light, as spirituality, and is meant to signify humanity’s timeless quest for the Divine.
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₹4,000.00 – ₹8,000.00
Deliverance
₹4,000.00 – ₹8,000.00
Islamic calligraphy at its most sublime! The calligraphy is complemented by vibrant background and foreground colours to mirror the elation felt by an individual when he or she receives assistance when it is most needed.
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₹4,000.00 – ₹8,000.00
Categories: Workshops
Flowers of the East
₹1,999.00
Biomorphic art is one of the three main forms in Islamic art, the others being calligraphy and geometry.
Biomorphic patterns vary greatly, and their application can be found in various crafts and architectural designs.
The popularity of floral motifs was because traditionally, living creatures and humans were not supposed to be depicted in Islamic art. Therefore, the plant kingdom provided subjects that were non-controversial and capable of stylization.
We find the traditional floral pattern carved on the textiles, ceramics, manuscripts, on the interiors and facades of famous architectural monuments ie. Madrasa, Masajids and tombs all over the islamic lands. However in Persia and central Asia the floral designs reached its Zenith especially in the Mughal era.
These floral motifs are inspired by nature and drawn with perfection using simples geometry with the help of compass and ruler.
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Categories: Workshops
Persian Illumination Workshop
₹3,999.00
Persian Illumination (Tezhip)
Tezhip, also known as Persian Illumination, is a traditional form of Islamic art that involves the intricate embellishment of various surfaces with vibrant and detailed designs. Originating from the Persian region, tezhip has a rich history dating back several centuries.
Tezhip holds significant cultural and religious importance in Persian and Islamic societies. It is commonly used to adorn religious texts like the Quran, prayer books, as well as official documents and royal decrees. The art form showcases the craftsmanship and creativity of the artists while reflecting the spiritual and aesthetic values of Persian culture.
In recent years, tezhip has experienced a revival and gained international recognition as a valuable art form. Contemporary artists continue to practice tezhip, exploring new materials and techniques to innovate within the tradition. Tezhip's captivating beauty and intricate details continue to enchant viewers, making it an enduring symbol of Persian art and aesthetics.
Artist Introduction:
Art was never created in isolation, this is Mariyah’s motto, the artist behind the page Mariyah Farooqui art.
Finding beauty in traditional arts, she has created a niche wherein she assimilates various traditional art forms to create contemporary works of art.
She is an avid student and practitioner of Persian Illumination, Kirigami, Sacred geometry and Arabic Calligraphy. She is self taught as well as has had the opportunity to study under various masters across the world.
Her art draws on the spiritual and aesthetic aspects of art. This interconnection, a creative correspondence between humanity and divinity, helps her combine various art forms together to create and express traditional art in a contemporary way that is centered around balance and symmetry and is both unique and relatable.
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Categories: Workshops
Paper Sculpting for Kids
₹1,350.00
Introducing our next workshop for kids that engages their minds and attention span. It helps them in organising, focussing and looking at the end result while trusting the process.
Paper Sculpting is the method to create 3D art. Using the modelling tools, participants will learn various techniques to create 3D flowers. These flowers help in strengthening their hand-eye coordination, increases their attention span and inculcates the quality of patience.
Participants will start by using watercolours to paint the flowers, they will then mould the paper as demonstrated live. After gaining a rough shape they will cut these flowers with the help of adult supervision.
These flowers will be then set on a background prepared by the kids using their creative imagination.
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Categories: Workshops
The Art of Composing & Decorating Calligraphy ( Khat al Arabi)
₹1,999.00
Art Introduction : The art of Arabic Calligraphy is beauty personified with the curves of letter formations, symmetry and visual aesthetic. Arabic letterings and script create the perfect balance with their dots, points, edges, and curves which makes up for the best component for a design. It becomes enhanced and impressively eye pleasing when it is moulded in a thematic shape and decorated with florals, this is the ℎ with small shapes, marks, designs and motifs.
Decorative Calligraphy elevates the look of Calligraphy lending more character to the written subject. Highly used in tazyeen, stage backdrops, logos, wedding calligraphy and book titles.
Artist Introduction: The artist- Taher Shabbir bhai Jamali, an Arabic Calligraphy Artist from Bangalore, has been practising calligraphy since the past 6 years, he has learnt his basics from the master calligrapers of AlJamea tus Saifiyah. He enjoys composing innovative artworks in different shapes and formats. His distinctive style is working with florals to add more character to the calligraphy
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