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JFRA 4 Jame al Aqmar
₹4,500.00 – ₹9,000.00
The construction of al-Jami al-Aqmar is a potent example of the symbolism imbibed within Fatimi architecture. Historians of Fatimi architecture have discussed Maulana al-Imam al-Aamir’s SA reasons for constructing this masjid, yet a holistic understanding of these reasons requires insightful reference to Fatimi philosophy. A core belief of the Fatimi faith is that an Imam, son succeeding father, direct descendent of the Prophet Mohammed SAW, is ever-present on earth. However, the Imam may choose seclusion, which is often compared to nightfall in Fatimi literature and lore. The Imam being the sun, his radiance and guidance reaches his followers during his seclusion through his representative and Da’i–the moon. Imam al-Aamir SA knew that a long seclusion was imminent and that his representatives, the Duat Mutlaqin SA would continue to guide believers during this difficult period. Luminous like the moon, al-Jami al-Aqmar, by virtue of its name and its existence, is testimony to this reality.
A superior feature in later Fatimi architecture is the muqarnas, seen clearly in this picture, adjacent on both sides to central arch over the central doorway. A muqarnas is a squinch, and, as a design element, is usually seen as a cluster of miniature squinches, appearing as a series of small niches and producing a sort of cellular structure. Though present in Baab al-Futuh as well as al-Jami al-Juyushi, their beauty and import is best viewed in al-Jami al-Aqmar. The façade of al-Aqmar displays many such niches but the use of a muqarnas as a cornerstone is a pioneering Fatimi contribution. This cornerstone, referred to as al-Rukn al-Mukhallaq, the perfumed cornerstone or al-Mukhawwaq, the wide cornerstone, widened the edge of the masjid creating much needed extra space for the narrow cross streets.
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₹4,500.00 – ₹9,000.00
JFRA 3 Jame al Anwar
₹8,000.00 – ₹20,000.00
Vistas of al-Jami al-Anwar in all its breath-taking glory never fail to inspire!
An appreciation of this glory increases when we remember that His Holiness Dr. Syedna Mohammed Burhanuddin RA, ably assisted by his successor, His Holiness Dr. Syedna Mufaddal Saifuddin TUS revived and restored this historic masjid, formerly ravaged by man, natural calamity and time, in a mere 27 months. “Syedna Mohammed Burhanuddin RA categorized the many facets of restoring al-Jami al-Anwar into seven stages.
1. Cleaning and excavation
2. Recording and documentation
3. In-depth research
4. Survey of architectural development
5. Materials
6. Construction and completion
7. Ornamentation” (extracted from ‘al-Jami al-Anwar- the Luminous Masjid’, page 56)
Achieving this result in the best of circumstances would be considered miraculous. Hence, this outcome was all the more incredible when we consider that the restoration was such a monumental task that not even national or international organizations with vast resources considered undertaking. Negotiating permissions, conducting meticulous research, garnering human and material resources and removing almost 29000 cubic metres of sediment and earth from the masjid premises were just some of the works to be accomplished before construction could begin. Furthermore, all of this needed to be achieved in the challenging, relatively unfamiliar at the time Egyptian socio-administrative context.
Even today, this momentous achievement has the potential to inspire all who feel they face insurmountable odds while trying to achieve their goals. Especially, in present times, when there is hardly an individual whose life has not been complicated by new challenges, the 27 months in which al-Jami al-Anwar was restored to its original grandeur motivate us all to strengthen our resolve, reorient ourselves to our goals and unceasingly persevere until we reach them.
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₹8,000.00 – ₹20,000.00
JFRA 2 Jame al Anwar
₹8,000.00 – ₹15,000.00
Photographer: Sh Taha RajaHis Holiness Dr. Syedna Mohammed Burhanuddin RA has repeatedly stated that all barakat prevalent in Dawat Hadiyah was due to the completion of one grand undertaking: the restoration of al-Jami´ al-Anwar. Originally completed in 403/1013, the construction of the masjid commenced under Maulana al-Imam al-Aziz Billah AS and was completed by his successor Maulana al-Imam al-Hakim bi Amrillah AS. Sadly, this grand masjid was later ravaged by time and people—used at one point by Napoleon as a stable and barracks. Seeing the state of this sacred space, His Holiness Dr. Syedna Taher Saifuddin RA expressed his desire to restore al-Jami’ al-Anwar to its historical grandeur. His successor, Syedna Mohammed Burhanuddin RA, ably assisted by his own noble successor, His Holiness Dr. Syedna Mufaddal Saifuddin TUS completed the renovation of al-Jami’ al-Anwar in 1401/1980. Much like Imam al-Hakim AS completed the vision of his father Imam al-Aziz AS in building al-Anwar, Syedna Mohammed Burhanuddin RA and Syedna Mufaddal Saifuddin TUS brought to life the vision of Syedna Taher Saifuddin RA in renovating al-Anwar.
The revival of Fatimi architecture reasserts the culture and faith of the Fatemi Imams AS. This culture and faith was meticulously preserved by Duat Mutlaqin SA, the vibrant results of that preservation being eloquently alluded to in Syedna Burhanuddin’s RA words at the inauguration of the renovated al-Jami’ al-Anwar: “We have returned, as we had left.” The restoration and revival of Fatimi architecture by Duat Mutlaqin SA is a call to remain steadfast to the beliefs and values eternalized in Fatimi buildings, as expressed by Syedna Mohammed Burhanuddin RA at the inauguration of Aljamea-tus-Saifiyah, Karachi:
“Fatimi monuments stand distinguished by their unique beauty. We have tried to express our beliefs and values through these buildings till they speak out through the language of brick, stone and mortar and find expression in the campus’ arches, prayer niches and minarets. As long as belief is steadfast in the heart, it is impossible for it to be precluded from expression.”
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₹8,000.00 – ₹15,000.00
JFRA 1 Jame al Anwar
₹8,000.00 – ₹15,000.00
Photographer: Sh Qusai Malindiwala
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₹8,000.00 – ₹15,000.00
Danbur 6
₹4,000.00 – ₹8,000.00
Quran Majeed 14:7– If you are grateful, I will surely bestow more favours on you
Blue, gold and red arabesque motifs glorify the Divine decree enshrined in this noble Quranic verse. May we remain forever grateful to our Noble Creator!
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₹4,000.00 – ₹8,000.00
Danbur 5
₹4,000.00 – ₹8,000.00
Quran Majeed 2:152–Therefore, remember Me and I will remember you.
Written within the shape of a medieval, Egyptian lantern, this verse-fragment enlightens a believer’s faith. Remembering the Creator is an obligation, but the Creator remembering His humble servant is an unparalleled privilege.
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₹4,000.00 – ₹8,000.00
Danbur 4
₹4,000.00 – ₹8,000.00
Quran Majeed 65:2-3– And whoever fears Allah, He ordains a way out for him, providing sustenance from whence he imagines not.
Written in the shape of a tear-drop, symbolising humanity’s dependence on its Creator, this Quranic Divine promise suffices to illuminate a Believer’s darkest hour.
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₹4,000.00 – ₹8,000.00
Danbur 3
₹4,000.00 – ₹8,000.00
Quran Majeed 11:88– My taufeeq (guidance/inspiration/success) stems only from Allah.
This verse-fragment is composed here as a mirror image barring the word bi-Allah, which is written just once in testament to the oneness of Allah Subhanahu. Silver on magenta accentuates the stylistics of this elegant, calligraphic work.
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₹4,000.00 – ₹8,000.00
Danbur 2
₹4,000.00 – ₹8,000.00
Quran Majeed Sura 112 (al-Ikhlaas)–Say–He is Allah, (the) One. Allah is He on Whom all depend. He begetteth not nor was begotten. None equals Him.
With sincerity and purity (ikhlaas), we affirm our belief with conviction.
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₹4,000.00 – ₹8,000.00
Danbur 1
₹4,000.00 – ₹8,000.00
Quran Majeed 16:53– Any blessing you enjoy is from Allah.
This remembrance of Allah Subhanahu’s immeasurable bounties is all the more eye-catching in its navy blue and gold adornment.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 8
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 7
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 5
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 6
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 4
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 3
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 2
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
INĀSH Series / 1
₹4,000.00 – ₹8,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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₹4,000.00 – ₹8,000.00
Categories: Workshops
Basics of Brush Calligraphy (With Kit)
₹2,100.00
Date: 18th &19th September 2021
Time: 4:00-6:30 PM(both days)Introduction of the Artform:
Brush Lettering is the art of drawing the letters of the English alphabet by applying thick and thin strokes of a brush tip. The contrast of these thick and thin strokes is the essence of this popular style of brush lettering.
Brush Calligraphy basics must commence from correctly holding a pen, to learning the basic strokes first. These basic strokes are important to start with, because these are the building blocks to the individual alphabets.
The basic strokes also ensure that your handwriting, no matter how good or bad it is, doesn't interfere with your style of brush lettering.Objective:
In this workshop, we will learn the correct way to draw these basic strokes, and then each and every lower case letter will be demonstrated through a breakdown of the basic strokes that build it.
Real-time demonstration helps you observe the correct way to craft the letters. The personal attention given to each of your learning will eliminate any mistakes which are generally never brought to attention otherwise, in recorded courses or online tutorials.
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₹2,100.00