Showing 41–60 of 267 results

Sort by
Show
Filter

INĀSH Series / 1

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00

INĀSH Series / 2

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00

INĀSH Series / 3

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00

INĀSH Series / 4

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00

INĀSH Series / 5

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00

INĀSH Series / 6

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00

INĀSH Series / 7

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00

INĀSH Series / 8

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
4,000.008,000.00
Categories:

INASH- Revive your Senses

500.00
RadiantArts presents exclusive notecards with renditions of paintings by Zaenab Imaduddin from her INASH by ArtbytheBay collection. The box contains 8 cards sized 4.5 in x 7 in and an envelope for each. ----- About the INĂSH Collection:Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
0 Reviews Write a review
500.00
Categories:

Islamic Art Workshop (22nd May 2021)

2,000.00
Ismalic Art of illumination is a 13th century art form which originated in Persia and incorporates the heavy use of gold along with arabesque and floral elements to represent nature in a divine form. The basis of which lies in balance and symmetry.Illumination meaning light, Uses gold highlights for decorative painting of motifs traditionally used to decorate the pages of Quran. Later on, "Art of The Book" extended to embellishing other books of literature. Collection and gifting of such books eventually became a status symbol owing to the valuable art of Illumination.
0 Reviews Write a review
Categories:

Islamic Calligraphy: Thuluth Style

1,199.00
Topic: The Art of Writing Thuluth Script with Shk Shabbir Bagichawala Date: 10th July, Saturday Time: 4:00 P.M. - 5:30 P.M IST Fees: ₹1199 Minimum age of participant: 15 yearsArt form: Islamic Calligraphy: Thuluth Style An introduction to the different styles of Arabic Calligraphy with demonstration of simple letters, some word formations, and the asmaa’ mubarakah of Khamsat Athaar AS (Thuluth and Naskh style variants) by Master Calligrapher Shk. Shabbir Bhai Bagichawala.Along with the history and origin of the script, we will also introduce mizaan al-niqaat (guidelines for the placement and spacing of dots and lines). Participants will be taught writing formations of khatt-e-thuluth, which will be the focus of this workshop.Further, a practice session within the workshop will demonstrate the formation of some Asmaa’ Allah al-Husnaa and the sacred names of Panjatan Paak AS. This will facilitate practice of the calligraphy skills needed to create one’s own tazyeen for Ashara Mubaraka 1443 H.Material List: Graphy Copy Calligraphy pen or marker Size: 2.0 & 3.0 mm
0 Reviews Write a review
Categories:

Islamic Geometry

1,099.00
Art Introduction: Islamic geometric patterns are one of the major forms of Islamic ornament that are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, to form intricate and complex patterns. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background as motif.Workshop Objective:
  • Learn the construction of symmetrical geometry shapes to build a striking Islamic pattern
  • Know the symbolism and the terminology of Islamic Geometry with its origin.
  • In this workshop you will be able to learn ‘Circle of Life’ grid along with the six fold Geometric patterns. The role of grids in Islamic geometric design is an essential part which will be broken down in the workshop.
  • By the end of this session you will be able to understand how Islamic geometric patterns are constructed and can apply this technical knowledge to come up with your own pattern.
  • At the end of the workshop you will have a neatly drafted pattern handmade by you with live guidance and feedback from the instructor.
Fees: ₹1099 Duration: 1.5 hours Date: 26th June 2021 Saturday. Time: 4:00 pm IST
0 Reviews Write a review
Categories:

Islamic Illumination Art

1,800.00
Islamic Art of illumination is a 13th century art form which originated in Persia and incorporates the heavy use of gold along with arabesque and floral elements to represent nature in a divine form. The basis of which lies in balance and symmetry.Illumination meaning light, Uses gold highlights for decorative painting of motifs traditionally used to decorate the pages of Quran. Later on, "Art of The Book" extended to embellishing other books of literature. Collection and gifting of such books eventually became a status symbol owing to the valuable art of Illumination.Our Artist: Alefiya Abbas AliAlefiya is a Karachi, Pakistan based Traditional Islamic Artist. She holds a degree in fine arts with distinction. Her major subjects were traditional printmaking and Mughal miniature painting. After her graduation in 2012 she participated in many exhibitions and workshops.Traditionalist to the core. Her passion to learn more about traditional Islamic arts- Geometry, Ancient Islamic manuscripts, Miniature painting and Illumination brought her to VM Center of Traditional arts(Karachi centre of Prince’s School of Art, London) She secured 1st position in the program.Alefiya believes that her skills and creativity got a golden touch of knowledge and understanding of Traditional Islamic art. Her art is inspired by intricate designs of ancient Islamic manuscripts and miniature paintings.Alefiya practices traditional methods. From creating her own paints from natural pigments extracted from minerals, rock, plants and animals to making pure shell gold.She aims to revive the traditional Islamic arts so they can be recognised, glorified and celebrated today, as they were in the past.Duration: 2 hours 4:30pm-6:30pm
0 Reviews Write a review

Ism al-Jalalah

4,000.008,000.00
Glory to Him, Lord of the universe and Creator of the worlds. The majestic Kufic script pays homage to ‘Allah’ Ta’ala, the most exalted of His noble Names.
0 Reviews Write a review
4,000.008,000.00

JFRA 1 Jame al Anwar

8,000.0015,000.00
Photographer: Sh Qusai Malindiwala
0 Reviews Write a review
8,000.0015,000.00

JFRA 10 Jame al Anwar

8,000.0015,000.00
As the custodian of Fatimi culture and thought, al-Dai al-Ajal Syedna Mohammed Burhanuddin RA provided the philosophical basis for the architectural restoration of al-Jami al-Anwar, and made key decisions pertaining to its structure during his numerous visits. The restoration reflected not only principles of Fatimi architecture in its physical form, but also its spiritual—the science that elevates and shapes the soul. Throughout the entire project, Syedna Mohammed Burhanuddin’s RA detailed instructions and deep insight helped overcome the many hurdles that were faced. His leadership was inspiring, his vision enlightening. The ultimate purpose in restoring al-Jami al-Anwar was to revive it as a place of worship. During his many site visits, Syedna Burhanuddin RA would often lead salaat or conduct a session of remembrance and zikr, known as a majlis, where the Holy Quran and other prayers are recited. Ultimately, these acts were just as responsible for the restoration of the masjid as were the physical acts of rebuilding. The renowned Egyptian architect, Dr Hasan Fathy, a strong advocate for the conservation of the historic buildings of al-Qahira, was brought on as chief architect of the project. Beginning with a series of discussions, regarding the nature of the restoration, guided by Syedna Burhanuddin RA, Dr Fathy supervised the preparation of detailed architectural drawings and plans by other architects and engineers. (Extracted with minor edits from page 85-87 of ‘al-Jami al-Anwar-The Luminous Masjid’)
0 Reviews Write a review
8,000.0015,000.00

JFRA 11

4,500.009,000.00
Maulana al-Imam al-Hakim bi Amr Allah SA commissioned the construction of the masjid, al-Lu’luah in 406 AH/ 1015-16 CE. Explaining the virtues of Maulana al-Imam al-Hakim’s SA piety, his erudite Da’i par excellence, al-Dai al-Ajal Syedna Ahmed Hamiduddin al-Kirmani RA states: For evidence of Maulana al-Imam al-Hakim’s SA abstinence and piety, one need only look to how Imam SA comprehensively abstains from seizing the wealth of the people and expropriating what is not his to take. Often, foreigners, even locals, pass away without their heirs present and leave behind their possessions. However, no avarice can sway the Imam’s intentions and nothing can compel him to take on the folly of oppressing women and men by appropriating their riches. Instead, Imam Hakim SA has ordained that the possessions of those who die without heirs be placed in the Repository of Entrusted Deposits that his laudable sense of justice has commissioned, solely to safeguard the property of Muslims. He has also instructed his officials to search for any lawful inheritors and deliver their inheritance to them.
0 Reviews Write a review
4,500.009,000.00

JFRA 12 Bir Jame al anwar

8,000.0012,000.00
0 Reviews Write a review
8,000.0012,000.00

JFRA 13 Jame al juyushi

8,000.0018,000.00
0 Reviews Write a review
8,000.0018,000.00

JFRA 14 Jame al Lulua

8,000.0018,000.00
0 Reviews Write a review
8,000.0018,000.00
Back to Top

Search For Products

Product has been added to your cart