Search results: “Calligraphy”

Date: 18th &19th September 2021 Time: 4:00-6:30 PM(both days)Introduction of the Artform: Brush Lettering is the art of drawing the letters of the English alphabet by applying thick and thin strokes of a brush tip. The contrast of these thick and thin strokes is the essence of this popular style of brush lettering. Brush Calligraphy basics must commence from correctly holding a pen, to learning the basic strokes first. These basic strokes are important to start with, because these are the building blocks to the individual alphabets. The basic strokes also ensure that your handwriting, no matter how good or bad it is, doesn't interfere with your style of brush lettering.Objective: In this workshop, we will learn the correct way to draw these basic strokes, and then each and every lower case letter will be demonstrated through a breakdown of the basic strokes that build it. Real-time demonstration helps you observe the correct way to craft the letters. The personal attention given to each of your learning will eliminate any mistakes which are generally never brought to attention otherwise, in recorded courses or online tutorials.

Persian Illumination (Tezhip)Tezhip, also known as Persian Illumination, is a traditional form of Islamic art that involves the intricate embellishment of various surfaces with vibrant and detailed designs. Originating from the Persian region, tezhip has a rich history dating back several centuries. Tezhip holds significant cultural and religious importance in Persian and Islamic societies. It is commonly used to adorn religious texts like the Quran, prayer books, as well as official documents and royal decrees. The art form showcases the craftsmanship and creativity of the artists while reflecting the spiritual and aesthetic values of Persian culture. In recent years, tezhip has experienced a revival and gained international recognition as a valuable art form. Contemporary artists continue to practice tezhip, exploring new materials and techniques to innovate within the tradition. Tezhip's captivating beauty and intricate details continue to enchant viewers, making it an enduring symbol of Persian art and aesthetics. Artist Introduction: Art was never created in isolation, this is Mariyah’s motto, the artist behind the page Mariyah Farooqui art.Finding beauty in traditional arts, she has created a niche wherein she assimilates various traditional art forms to create contemporary works of art. She is an avid student and practitioner of Persian Illumination, Kirigami, Sacred geometry and Arabic Calligraphy. She is self taught as well as has had the opportunity to study under various masters across the world.Her art draws on the spiritual and aesthetic aspects of art. This interconnection, a creative correspondence between humanity and divinity, helps her combine various art forms together to create and express traditional art in a contemporary way that is centered around balance and symmetry and is both unique and relatable.

Biomorphic art is one of the three main forms in Islamic art, the others being calligraphy and geometry. Biomorphic patterns vary greatly, and their application can be found in various crafts and architectural designs. The popularity of floral motifs was because traditionally, living creatures and humans were not supposed to be depicted in Islamic art. Therefore, the plant kingdom provided subjects that were non-controversial and capable of stylization. We find the traditional floral pattern carved on the textiles, ceramics, manuscripts, on the interiors and facades of famous architectural monuments ie. Madrasa, Masajids and tombs all over the islamic lands. However in Persia and central Asia the floral designs reached its Zenith especially in the Mughal era. These floral motifs are inspired by nature and drawn with perfection using simples geometry with the help of compass and ruler.