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Fine Art Tote 01

1,800.00
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1,800.00
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Fine Art Tote 02

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1,800.00
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Fine Art Tote 03

1,800.00
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1,800.00
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Fine Art Tote 04

1,800.00
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1,800.00
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Fine Art Tote 05

1,800.00
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1,800.00
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Fine Art Tote 06

1,800.00
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1,800.00
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Fine Art Tote 07

1,800.00
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1,800.00
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Fine Art Tote 08

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1,800.00

Fir Trail

4,000.008,000.00
My snowscapes of Kashmir titled ‘Firdaus bar ru-yi Zamīn’ depict the majesty of the snow clad mountains of Gulmarg. Verdant fir trees, dusted with white powder glistening with the different hues of the mountain sky, stand out upon the canvas. Together, with the rising mountain peaks and the seemingly infinite firmament beyond, the vistas truly feel like a paradise on earth. .I re-create semi-abstract impressions of what my eyes witness. I use the term re-create with the firm belief that the beauty inherent to such landscapes is by virtue of their creation at the hands of the Almighty. I am simply re-creating them on a canvas in a humble, yet artistic, manner of emulation. For the main compositions, relying on vivid memories as well as my own photos, I indulge in some artistic liberty with the placement of the flora and the use of colors. .In some of my works, I make use of heavy gels and acrylics to create thick textures on the mountain’s surfaces to signify their solidity, the solidity of existence. These massive monuments, their beauty and breath-taking majesty, are testament that the Almighty has created everything with a purpose: “Our Lord! Thou created not this in vain. Glory be to Thee (Quran 3:191).” . The use of Japanese watercolours in composing the fir trees compliments the heavy acrylics by adding an air of lightness. It also, simultaneously, contrasts with the heavy mass of the mountains alluding subtly to the notion of seeking spiritual enlightenment and loftiness while ridding oneself of the burdens of the corporal, material world. It is in this state of unburdened spirituality where happiness is found, nay, happiness reigns.
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4,000.008,000.00
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Flowers of the East

1,999.00
Biomorphic art is one of the three main forms in Islamic art, the others being calligraphy and geometry. Biomorphic patterns vary greatly, and their application can be found in various crafts and architectural designs. The popularity of floral motifs was because traditionally, living creatures and humans were not supposed to be depicted in Islamic art. Therefore, the plant kingdom provided subjects that were non-controversial and capable of stylization. We find the traditional floral pattern carved on the textiles, ceramics, manuscripts, on the interiors and facades of famous architectural monuments ie. Madrasa, Masajids and tombs all over the islamic lands. However in Persia and central Asia the floral designs reached its Zenith especially in the Mughal era. These floral motifs are inspired by nature and drawn with perfection using simples geometry with the help of compass and ruler.
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Free Printable Tazyeen Templates by RadiantArts.

0.00
Khatt & Design done by Shk Tayyab bhai Shk Tahir bhai Jamali.
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