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INĀSH Series / 2

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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4,000.008,000.00

INĀSH Series / 1

4,000.008,000.00
Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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4,000.008,000.00
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Basics of Brush Calligraphy (With Kit)

2,100.00
Date: 18th &19th September 2021 Time: 4:00-6:30 PM(both days)Introduction of the Artform: Brush Lettering is the art of drawing the letters of the English alphabet by applying thick and thin strokes of a brush tip. The contrast of these thick and thin strokes is the essence of this popular style of brush lettering. Brush Calligraphy basics must commence from correctly holding a pen, to learning the basic strokes first. These basic strokes are important to start with, because these are the building blocks to the individual alphabets. The basic strokes also ensure that your handwriting, no matter how good or bad it is, doesn't interfere with your style of brush lettering.Objective: In this workshop, we will learn the correct way to draw these basic strokes, and then each and every lower case letter will be demonstrated through a breakdown of the basic strokes that build it. Real-time demonstration helps you observe the correct way to craft the letters. The personal attention given to each of your learning will eliminate any mistakes which are generally never brought to attention otherwise, in recorded courses or online tutorials.
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2,100.00
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Basics of Brush Calligraphy (Without Kit)

1,650.00
Date: 18th &19th September 2021 Time: 4:00-6:30 PM(both days)Introduction of the Artform: Brush Lettering is the art of drawing the letters of the English alphabet by applying thick and thin strokes of a brush tip. The contrast of these thick and thin strokes is the essence of this popular style of brush lettering. Brush Calligraphy basics must commence from correctly holding a pen, to learning the basic strokes first. These basic strokes are important to start with, because these are the building blocks to the individual alphabets. The basic strokes also ensure that your handwriting, no matter how good or bad it is, doesn't interfere with your style of brush lettering.Objective: In this workshop, we will learn the correct way to draw these basic strokes, and then each and every lower case letter will be demonstrated through a breakdown of the basic strokes that build it. Real-time demonstration helps you observe the correct way to craft the letters. The personal attention given to each of your learning will eliminate any mistakes which are generally never brought to attention otherwise, in recorded courses or online tutorials.
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Khatte Arabi Premium Calligraphy Kit

1,690.00
Introducing our RadiantArts Khatte Arabi premium calligraphy kit expertly created from start to finish.Hand-crafted with thoughtful designs at an extremely affordable price for beginners and seasoned calligraphers alike.The kit comes with a set of 5 pens in a leather pouch, a blank booklet of 25 glossy pages with 2 complimentary practice sheets, ink bottle, and a glass container with Liqa to hold the ink.Free Shipping All Over India.Delivery: 10 to 12 working days
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1,690.00
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Islamic Illumination Art

1,800.00
Islamic Art of illumination is a 13th century art form which originated in Persia and incorporates the heavy use of gold along with arabesque and floral elements to represent nature in a divine form. The basis of which lies in balance and symmetry.Illumination meaning light, Uses gold highlights for decorative painting of motifs traditionally used to decorate the pages of Quran. Later on, "Art of The Book" extended to embellishing other books of literature. Collection and gifting of such books eventually became a status symbol owing to the valuable art of Illumination.Our Artist: Alefiya Abbas AliAlefiya is a Karachi, Pakistan based Traditional Islamic Artist. She holds a degree in fine arts with distinction. Her major subjects were traditional printmaking and Mughal miniature painting. After her graduation in 2012 she participated in many exhibitions and workshops.Traditionalist to the core. Her passion to learn more about traditional Islamic arts- Geometry, Ancient Islamic manuscripts, Miniature painting and Illumination brought her to VM Center of Traditional arts(Karachi centre of Prince’s School of Art, London) She secured 1st position in the program.Alefiya believes that her skills and creativity got a golden touch of knowledge and understanding of Traditional Islamic art. Her art is inspired by intricate designs of ancient Islamic manuscripts and miniature paintings.Alefiya practices traditional methods. From creating her own paints from natural pigments extracted from minerals, rock, plants and animals to making pure shell gold.She aims to revive the traditional Islamic arts so they can be recognised, glorified and celebrated today, as they were in the past.Duration: 2 hours 4:30pm-6:30pm
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Islamic Calligraphy: Thuluth Style

1,199.00
Topic: The Art of Writing Thuluth Script with Shk Shabbir Bagichawala Date: 10th July, Saturday Time: 4:00 P.M. - 5:30 P.M IST Fees: ₹1199 Minimum age of participant: 15 yearsArt form: Islamic Calligraphy: Thuluth Style An introduction to the different styles of Arabic Calligraphy with demonstration of simple letters, some word formations, and the asmaa’ mubarakah of Khamsat Athaar AS (Thuluth and Naskh style variants) by Master Calligrapher Shk. Shabbir Bhai Bagichawala.Along with the history and origin of the script, we will also introduce mizaan al-niqaat (guidelines for the placement and spacing of dots and lines). Participants will be taught writing formations of khatt-e-thuluth, which will be the focus of this workshop.Further, a practice session within the workshop will demonstrate the formation of some Asmaa’ Allah al-Husnaa and the sacred names of Panjatan Paak AS. This will facilitate practice of the calligraphy skills needed to create one’s own tazyeen for Ashara Mubaraka 1443 H.Material List: Graphy Copy Calligraphy pen or marker Size: 2.0 & 3.0 mm
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Watercolour Bird Painting

1,850.00
Artist and Art: Fatima ben, an artist from Houston, started her journey with art young. She has been an art teacher who enjoyed painting murals and teching aides.After exploring a variety of medium, she found her niche in Watercolor. The loose qualities of watercolors, the natural, inherent luminescence caused by the transparency of the medium on white paper and the unexpected results are what makes her so drawn to the medium.Objective of the workshop: Learn to paint this beautiful Watercolour bird from scratch. (Basic sketch the bird to be provided)Materials Required1. Watercolour papers 9 x 12 inch, quantity: 4-5 1. Watercolour tubes or pans 2. Palette 3. Watercolor brushes Round size 6 , 8 Size 0,1 and 2 for details 4. White bleed proof ink for highlights Substitute for white ink White gouache or Thin white gel/marker/paint pen 5. Paper towels 6. Water jar 7. Pencil 8. EraserTime: 4:30 pm Duration: 2 hours Fees: ₹1850 Eligibility criteria: Age 12years+ No art background or watercolour knowledge required.
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Islamic Geometry

1,099.00
Art Introduction: Islamic geometric patterns are one of the major forms of Islamic ornament that are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, to form intricate and complex patterns. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background as motif.Workshop Objective:
  • Learn the construction of symmetrical geometry shapes to build a striking Islamic pattern
  • Know the symbolism and the terminology of Islamic Geometry with its origin.
  • In this workshop you will be able to learn ‘Circle of Life’ grid along with the six fold Geometric patterns. The role of grids in Islamic geometric design is an essential part which will be broken down in the workshop.
  • By the end of this session you will be able to understand how Islamic geometric patterns are constructed and can apply this technical knowledge to come up with your own pattern.
  • At the end of the workshop you will have a neatly drafted pattern handmade by you with live guidance and feedback from the instructor.
Fees: ₹1099 Duration: 1.5 hours Date: 26th June 2021 Saturday. Time: 4:00 pm IST
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Learn the FUNDAMENTALS of Photography

999.00
“What I like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.” Photography is a skill that has garnered a lot of attention in the times we live in because of the opportunities it provides and the impact it carves in minds. In this workshop expand your understanding of the subject and learn the basics with the master photographer. Shk Taha B. Raja has travelled the most exotic places and learnt from a rich experience of expeditions. For this workshop he will be simplifying thefollowing topics: -Equipment -Exposure -Composition -Basics of Shutter, Aperture and ISO among other photography tips. Participants get a chance to interact, get feedback and learn in real-time by the Internationally acclaimed photographer. This is a 2 hours workshop is via Zoom.Kindly Note: 1. This workshop will be held on Zoom on the mentioned IST time 2. The pictures shared are original work of the artist and are shared for the reference of this workshop. 3. The material provided and resources shared related to this workshop are meant only for the participant. The class cannot be viewed by anyone else. 4. Resources to workshop will be shared only after the registration is completed 5. There shall be no refund in case the participant is unable to attend the workshop. They can access the recorded version of the workshop in this case. Full refund shall be made if the workshop gets cancelled by Radiant Arts*All Photographs used in the post creatives belong to Photographer Taha Raja.
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Acrylic Cloudscape Workshop

1,500.00
By Jumana QayyumiObjective: Learn to paint beautiful skyscapes capturing dramatic clouds with the basics of colour mixing and composition of the frame taught to you.The artist with their experience of more than ten years will teach you tips and tricks they’ve picked along the way to help you create skyscape masterpieces.Workshop course: This workshop will cover breakdown of different styles of sky along with a demonstration of how to paint them. With step by step guidance from our instructor participants will have painted a cloudscape masterpiece at the end of the workshop.Duration: 2.5 hours Date: 6th June 2021 Time: 11:00 am to 1:30 pm IST Via: ZoomThe artist: Jumana Qayyumi, an artist and mother of two adorable children graduated as a textile designer from Sir J.J School of arts (Mumbai) in 2010 where she stood first in Mumbai University and was affiliated by chancellorI am a versatile artist who likes to work with various mediums like Oil, Acrylic, textile and Watercolours.Her subject is nature’s lush landscapes that she tries to bring out in her realistic paintings. According to her it is a depiction of her own moods from the beauty of nature.
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Free Printable Tazyeen Templates by RadiantArts.

0.00
Khatt & Design done by Shk Tayyab bhai Shk Tahir bhai Jamali.
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0.00
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Islamic Art Workshop (22nd May 2021)

2,000.00
Ismalic Art of illumination is a 13th century art form which originated in Persia and incorporates the heavy use of gold along with arabesque and floral elements to represent nature in a divine form. The basis of which lies in balance and symmetry.Illumination meaning light, Uses gold highlights for decorative painting of motifs traditionally used to decorate the pages of Quran. Later on, "Art of The Book" extended to embellishing other books of literature. Collection and gifting of such books eventually became a status symbol owing to the valuable art of Illumination.
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INASH- Revive your Senses

500.00
RadiantArts presents exclusive notecards with renditions of paintings by Zaenab Imaduddin from her INASH by ArtbytheBay collection. The box contains 8 cards sized 4.5 in x 7 in and an envelope for each. ----- About the INĂSH Collection:Meandering down the streets of Cairo, eyes cannot escape the grandeur of the 10th century Fatemi edifices standing tall on al Moiz le Deenillah Street (al-Qaaherah al-Moizziyah) and the architectural motifs laced with ArabicKufic inscriptions from the Quran. Ears pick up the bustle of the markets of Khan al-Khalili and the hanging ornate brass and trinkets with traditional Arabic calligraphy that move gently in the warm breeze. Hands yearn to touch the textured stained glass arabesque designs on bottles, wall plates and glasses. The waft of ‘qahwah masreeyah’(Arabic coffee) and the fragrant smoke from the mabkhara ( incense) intoxicate.Bringing these sights to life by daubing the canvas with vibrant acrylics in an abstract manner; graphically infused with traditional arabesque and motifs inspired from Fatimi and Arabic art and architecture.INASH revives the senses by transporting one to the wonderful world of Nostalgia.
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Snowmelt

4,000.008,000.00
My snowscapes of Kashmir titled ‘Firdaus bar ru-yi Zamīn’ depict the majesty of the snow clad mountains of Gulmarg. Verdant fir trees, dusted with white powder glistening with the different hues of the mountain sky, stand out upon the canvas. Together, with the rising mountain peaks and the seemingly infinite firmament beyond, the vistas truly feel like a paradise on earth. .I re-create semi-abstract impressions of what my eyes witness. I use the term re-create with the firm belief that the beauty inherent to such landscapes is by virtue of their creation at the hands of the Almighty. I am simply re-creating them on a canvas in a humble, yet artistic, manner of emulation. For the main compositions, relying on vivid memories as well as my own photos, I indulge in some artistic liberty with the placement of the flora and the use of colors. .In some of my works, I make use of heavy gels and acrylics to create thick textures on the mountain’s surfaces to signify their solidity, the solidity of existence. These massive monuments, their beauty and breath-taking majesty, are testament that the Almighty has created everything with a purpose: “Our Lord! Thou created not this in vain. Glory be to Thee (Quran 3:191).” . The use of Japanese watercolours in composing the fir trees compliments the heavy acrylics by adding an air of lightness. It also, simultaneously, contrasts with the heavy mass of the mountains alluding subtly to the notion of seeking spiritual enlightenment and loftiness while ridding oneself of the burdens of the corporal, material world. It is in this state of unburdened spirituality where happiness is found, nay, happiness reigns.
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4,000.008,000.00

Khwāb-o-Khayāl (Of Dreams and Thoughts)

4,000.008,000.00
My snowscapes of Kashmir titled ‘Firdaus bar ru-yi Zamīn’ depict the majesty of the snow clad mountains of Gulmarg. Verdant fir trees, dusted with white powder glistening with the different hues of the mountain sky, stand out upon the canvas. Together, with the rising mountain peaks and the seemingly infinite firmament beyond, the vistas truly feel like a paradise on earth. .I re-create semi-abstract impressions of what my eyes witness. I use the term re-create with the firm belief that the beauty inherent to such landscapes is by virtue of their creation at the hands of the Almighty. I am simply re-creating them on a canvas in a humble, yet artistic, manner of emulation. For the main compositions, relying on vivid memories as well as my own photos, I indulge in some artistic liberty with the placement of the flora and the use of colors. .In some of my works, I make use of heavy gels and acrylics to create thick textures on the mountain’s surfaces to signify their solidity, the solidity of existence. These massive monuments, their beauty and breath-taking majesty, are testament that the Almighty has created everything with a purpose: “Our Lord! Thou created not this in vain. Glory be to Thee (Quran 3:191).” . The use of Japanese watercolours in composing the fir trees compliments the heavy acrylics by adding an air of lightness. It also, simultaneously, contrasts with the heavy mass of the mountains alluding subtly to the notion of seeking spiritual enlightenment and loftiness while ridding oneself of the burdens of the corporal, material world. It is in this state of unburdened spirituality where happiness is found, nay, happiness reigns.
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4,000.008,000.00

Fir Trail

4,000.008,000.00
My snowscapes of Kashmir titled ‘Firdaus bar ru-yi Zamīn’ depict the majesty of the snow clad mountains of Gulmarg. Verdant fir trees, dusted with white powder glistening with the different hues of the mountain sky, stand out upon the canvas. Together, with the rising mountain peaks and the seemingly infinite firmament beyond, the vistas truly feel like a paradise on earth. .I re-create semi-abstract impressions of what my eyes witness. I use the term re-create with the firm belief that the beauty inherent to such landscapes is by virtue of their creation at the hands of the Almighty. I am simply re-creating them on a canvas in a humble, yet artistic, manner of emulation. For the main compositions, relying on vivid memories as well as my own photos, I indulge in some artistic liberty with the placement of the flora and the use of colors. .In some of my works, I make use of heavy gels and acrylics to create thick textures on the mountain’s surfaces to signify their solidity, the solidity of existence. These massive monuments, their beauty and breath-taking majesty, are testament that the Almighty has created everything with a purpose: “Our Lord! Thou created not this in vain. Glory be to Thee (Quran 3:191).” . The use of Japanese watercolours in composing the fir trees compliments the heavy acrylics by adding an air of lightness. It also, simultaneously, contrasts with the heavy mass of the mountains alluding subtly to the notion of seeking spiritual enlightenment and loftiness while ridding oneself of the burdens of the corporal, material world. It is in this state of unburdened spirituality where happiness is found, nay, happiness reigns.
0 Reviews Write a review
4,000.008,000.00

Dāstān-e-Safar

4,000.008,000.00
My snowscapes of Kashmir titled ‘Firdaus bar ru-yi Zamīn’ depict the majesty of the snow clad mountains of Gulmarg. Verdant fir trees, dusted with white powder glistening with the different hues of the mountain sky, stand out upon the canvas. Together, with the rising mountain peaks and the seemingly infinite firmament beyond, the vistas truly feel like a paradise on earth. .I re-create semi-abstract impressions of what my eyes witness. I use the term re-create with the firm belief that the beauty inherent to such landscapes is by virtue of their creation at the hands of the Almighty. I am simply re-creating them on a canvas in a humble, yet artistic, manner of emulation. For the main compositions, relying on vivid memories as well as my own photos, I indulge in some artistic liberty with the placement of the flora and the use of colors. .In some of my works, I make use of heavy gels and acrylics to create thick textures on the mountain’s surfaces to signify their solidity, the solidity of existence. These massive monuments, their beauty and breath-taking majesty, are testament that the Almighty has created everything with a purpose: “Our Lord! Thou created not this in vain. Glory be to Thee (Quran 3:191).” . The use of Japanese watercolours in composing the fir trees compliments the heavy acrylics by adding an air of lightness. It also, simultaneously, contrasts with the heavy mass of the mountains alluding subtly to the notion of seeking spiritual enlightenment and loftiness while ridding oneself of the burdens of the corporal, material world. It is in this state of unburdened spirituality where happiness is found, nay, happiness reigns.
0 Reviews Write a review
4,000.008,000.00
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